My Inner Pleat 

by Jio, KIM (Art Theory)

He combines a colour of blue adding thickness to glass.
Blue is intelligent and ideal, the colour which the longing of eternity is absorbed .
Someone says that it is the colour which blows inactive and blue emotion, but the combination
with cold glass and blue makes a fantastic duet.
To the artist, Gwak Donghun, the work is a harmony of blue light which is delicate and mystic,
the artist's passion and desire are absorbed, a new birth in it.
His work lets us be travelers who go on a memory trip in inside thought by melting our
consciousness which is conceptualized by glass, clothe with pleats, frame, rather than
reproducing the meaning of just current 'see'.
Won't it be the liberty of individual on how the road to go of memory trip will be?
Is it possible to do mapping all the way to go even for the artist, himself?
I carefully look forward to producing the works which can be the happy attention diverter in this
travel by the artist.
 Picture








DongHoon, Kwak

​Wrinkles are like traces to me.
They don’t only show the traces of aging but also the passing of time itself.
Philosopher Leibniz recognized that the elementary particle to compose the world is a wrinkle not a dot. Based on this theory, Deleuze explained that wrinkles can be divided into ‘wrinkles of materials’ and ‘wrinkles of spirits’ and those two types of wrinkles are connected to each other.
So, is it possible to express my traces through visible wrinkles and spiritual wrinkles being connected, actualized and practiced?
This question was lingering in my head while working.
Maybe wrinkles are made not by the coexistence of the two but by the flow from one to another.
If so, it is the right way to express visible wrinkles first then to approach spiritual wrinkles.

Gallery